Under the skilled baton of Daniel Spurlock, they sang the most gorgeous pianissimos and the most chilling fortissimos! Evening of pure magic
. . . emotional, inspirational, and fun . . .
Fetching choral elegance . . . Vigor and clearly delineated dynamics . . . sumptuous well-blended sound that easily filled the spacious sanctuary . . . balanced evenly from section to section and reflecting appreciation for whatever idiom came to the foreground . . . crystal clear articulation, exquisite balance, subtlety of timbre, and a detailed approach to dynamics . . . real attention to shifting styles . . . All selections emerged with considerable interpretive sympathy. . . . most distinctive reading of a core work (Mozart: Requiem . . . same sensation as The Chorus sang Dvorak's Mass in D Major, Op. 86 . . . fresh, vigorous, and deeply affecting . . . responded with unflagging enery and tonal detail . . . Daniel Spurlock had prepared them well and it showed again and again. . . . He and his colleagues have every right to be proud.